Welcome –
Here is the audio for Listen Toward the Ground, a composed soundscape work designed for listening to while walking.
It’s a voice-guided soundscape tour of the mechanical wilderness of the oilfields of northwest New Mexico, superimposed on the alleyways of downtown Albuquerque.
Listen Toward the Ground was created by Jeremiah Lyman Moore.
Start at the North East corner of 6th and Central, Albuquerque New Mexico, on the corner where the Sushi restaurant is. Then press play.
The walk lasts 13 minutes 27 seconds.
Tech note: There is a direct mp3 link, and a soundcloud player. In testing, the direct link seemed to work best for iPhone and Android. On Android, depending on configuration, the audio may play in “Streaming Media Player.”
Location note: Though created for Albuquerque, the piece can be experienced anywhere. If possible, listen while walking.
Enjoy!
Direct mp3 Link (mobile users try this)
Walking Map – Downtown Albuquerque
Music Credit: Group improvisation by Max Bernstein, Mark McCoin, Jeremiah Moore, Bruce Odland, tanksounds.org
Listen Toward the Ground was created by Jeremiah Lyman Moore for ISEA2012 Machine Wilderness.
Aaron Ximm is a San-Francisco-based field recordist and sound artist. He is best known for his composition, installation, and performance work under the name Quiet American. From 2001 to 2005, Aaron curated and hosted the Field Effects concert series, which, like his own work, sought to showcase the quiet, fragile, and lovely side of sound art, particularly working with found sound and field recordings. In 2009, Aaron was an artist in residence at the Headlands Center for the Arts in Sausalito. He has performed at numerous musical festivals and symposiums, including the San Francisco Tape Music Festival and the Embertide for Binaural Audio Art Symposium in the United Kingdom.
Jeremiah Moore is an artist and sound designer based in San Francisco. He has produced works exploring human perceptions of time, examining the interface of humans, nature and technology, engaging the beauty in the everyday, and transforming commercial culture into meaningless bliss. He is currently mixing and designing sound for documentary films, interactive works, radio and exhibits at his independent post-production sound studio. His work can be heard at Prehistoric Journey at the Denver Museum of Nature and Science, and at the Detention Barracks at the Angel Island Immigration Station Museum. He lives in the Mission District with his partner and two children who, like him, never sleep.
Andrea Williams is a sound artist and composer currently living in San Francisco. She utilizes site-specific elements and perceptual cues to reveal the unseen connections between people and their environment. Her compositions make use of field recordings, instruments, computer technologies and the sound of the performance space itself. She has led soundwalks in New York and San Francisco, and has shown and performed both solo and with the Glass Bees and SleepWalks at galleries and alternative spaces, most recently the Diapason Gallery, NPR, Fountain Miami Art Fair, and the Mamori sound artist residency in the Amazon rainforest. Andrea is a founding member of the New York Society for Acoustic Ecology, currently a member of BASE in San Francisco, and is attending Mills College for her MFA in Electronic Music. 
In the late 1960s, Bernie Krause began his ground-breaking life work in bioacoustics and the recording of environments throughout the world, much of which has been accomplished with techniques and technologies for recording, analyzing, and presenting habitat-and species-specific sounds that Krause has developed on his own. His album, In a Wild Sanctuary (WB, 1970), earned a place in history as being the first recording to use environmental sounds as both a central component of orchestration and as a statement about the environment. Under the company name Wild Sanctuary, Inc., Krause continues to share his compelling field experiences through his musical albums and dramatic sound installations in public spaces such as museums, zoos, and aquaria. Krause holds a Ph. D. with an Internship in bio-acoustics from Union Institute, Cincinnati. 
